So, needless to say, I've gotten really thrown off. I've spent the past week slogging through Foundation and Empire, the second book in the trilogy, and - obviously - not posting anything here about my progress. I don't have an excuse or an explanation or anything. Merely that every time it was a good time to be reading, I thought of something else to do, and that whenever I did manage to force myself through a chapter or two, I felt like I hadn't read enough to warrant a new post. So then I decided I would just post when I'd finished the book. And then that kept not happening.
In the first three years of doing this type of project, I never took so long to finish a book, and I don't think I ever went this long without posting an update on my reading. I don't even know if the "Days 3-8" caption in the title is accurate, because I've gone so many days without writing anything new, and I'm pretty sure there were days when I didn't read. As a planner and a scheduler, I'm frustrated that I've gotten so messed up and that this reading isn't going smoothly. As a generally fast reader, I'm frustrated that it took me an entire week to read a 150-page-long book. As a people pleaser, I'm frustrated by the fact that I'm struggling so much with a book series that people I know and respect enjoyed and recommended. And as someone used to being able to articulate her opinions and know her own mind, I am incredibly and increasingly frustrated by the fact that I don't like these books and I don't know why.
It's not only that feeling of an intellectual obligation to like it that I described in my last post anymore. There are descriptions that I like. There are characters I almost like and almost care about. There have been little observations and asides of Asimov's that have amused me. Like this one, for instance:
"Inevitably, he said, 'What is the meaning of this?'
It is the precise question and the precise wording thereof that has been put to the atmosphere on such occasions by an incredible variety of men since humanity was invented. It is not recorded that it has ever been asked for any purpose other than dignified effect."
See, that's amusing. I liked those two paragraphs. Also, Foundation and Empire was better than Foundation. It has a more concentrated plot, and more developed, central characters. There's even a female character, shockingly enough. She's got a name and she sort of has a personality and everything. The lengthy conversations aren't only devoted to politics and psychology.
But even if they were -
Alright, for some reason I'm having a lot of trouble getting my thoughts on paper (or, um, screen) at the moment. I actually started a post about the first third of Foundation and Empire several days ago that I never ended up finishing because I couldn't get the words out in any kind of comprehensible order. I have no more explanation for this dilemma than I do for any of the others I've been running into in my attempts to get through this series. So please forgive me if this post ends up being a little choppy. I'm doing my best.
Here's the thought that occurred to me somewhere midway through reading this book: I read nineteenth-century slice-of-life novels. I've talked about this in other posts this summer. I like Jane Austen. I like some of the Bronte sisters' books. I read a book by Thomas Hardy earlier this summer and I'll probably read more books by him at some point in the future. I have repeatedly read books that have no plots beyond, "this is the story of a few months or years in the lives of some characters experiencing drama somewhere in England". There is a book on my handwritten list of favorites called North and South (by Elizabeth Gaskell) that features lengthy scenes made up almost entirely of characters debating the morality and fairness of labor distribution and wages during the Industrial Revolution. North and South is longer than the entire Foundation trilogy.
What I'm saying here is that I have happily read books which are probably far more boring and certainly substantially longer than these ones with a fraction of the difficulty I'm having now. I can no longer in good conscience say I don't like these books because they're dry, or political, or lacking action, because I've read books that are dry and political and lacking action before without any trouble (or at least, with a lot less trouble). And I can also no longer blame my disinterest on underdeveloped, insignificant characters, because like I said, Foundation and Empire is more character-focused than Foundation.
So I don't have an explanation for disliking these books. Unless I want to go with the idea that labor debates are just way more appealing than political dialogues.
The optimistic view I can gain from this conclusion? Maybe now that I've acknowledged that there's no logical reason for me to be struggling to get through them, I'll be more likely to enjoy the third book and it'll be easier to get through.
The cynical view? I'll keep disliking the series without knowing why and that'll drive me insane.
Which view will prove correct? Watch this space for developments.
~Pearl Clayton
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